We speak to the Norwegian house duo about their latest run of collabs on Basement Records
Blichfeldt, a stalwart of Oslo’s underground, has captivated audiences with his entrancing DJ sets at venues such as Jaeger and Skaugum. As a co-founder of the city’s esteemed Basement nights, he has shared the stage with international luminaries while refining his distinctive sound. His minimalist yet evolving productions have garnered a dedicated following, with tracks like Blichenschlager and Berg solidifying his reputation as a compelling electronic artist.
Complementing this is Tibert’s rich musical background and affinity for classic house. A seasoned producer, his work is characterized by melodic richness and meticulous attention to detail, merging timeless house grooves with contemporary production techniques. His tracks balance emotive depth with dancefloor energy, resonating across diverse settings.
The duo are currently enjoying a rich vein of collaborative creativity, their upcoming cut Bølge following previous recently released singles Oslo and Ketosphere.
In Bølge – Norwegian for ‘wave’ – the duo delves into atmospheric soundscapes and intricate rhythms. A pulsating bassline anchors the composition, while layered melodies invite listeners into its hypnotic depths, maintaining a driving energy throughout. This release underscores their shared vision and ability to craft music that bridges introspection and euphoria, marking a significant milestone in their collaborative journey.
Norway’s underground house scene feels understated compared to other European cities. Do you see this as an opportunity to define something unique, or does it pose challenges when seeking a wider audience?
Norway’s underground house scene may be more understated, but I see that as an opportunity to create something unique. It’s a smaller, tight-knit community which allows us to experiment and focus on the quality of our music, helping us define our own sound and identity. While it can be challenging to reach a wider audience, it also means that people discovering the scene are drawn to its authenticity and raw energy. It’s less about competing and more about carving out a distinct space in the underground scene.
Your music has a distinct attention to texture and mood. How much of this comes from deliberate studio experimentation versus intuitive moments?
A lot of it is a balance between the two. In the studio, we spend a lot of time tweaking sounds, layering textures, and using effects to create depth. But some of the best ideas often come when just letting things flow, trying an unexpected sound or combination just doing something in a new way. It’s about creating the space for intuition to take over, then refining those moments into something that feels intentional and cohesive.
How do you see your collaboration evolving creatively over time? Are there aspects of your partnership that still surprise or challenge you in the studio?
Our collaboration has grown quite organically, and it keeps evolving with each project. We’ve developed a good rhythm, balancing my groovier, house-oriented style with Blichfeldt’s darker, more minimal approach. What still surprises me is how often we push each other creatively—whether it’s trying something completely new or finding unexpected ways to blend our influences. It’s never predictable, which keeps the process exciting.
This same energy carries over to our club nights, STØY. Where we’re intending to bring forward both local and international talents, showcasing the diversity and depth of the scene. By curating events that highlight a curated selection of sounds and artists, we’re building connections within the community and trying to put Oslo on the map as a destination for house and minimal music.
With the underground house genre becoming increasingly globalized, how do you stay rooted in your local scene while still creating music that resonates internationally?
Staying rooted in the local scene while reaching an international audience is again about balance.We draw inspiration from the vibes, the community, and the rawness of the scene, which also keeps our music feeling authentic and connected. At the same time, we’re always thinking about how the music will resonate beyond Oslo. By blending our local influences with broader sounds and techniques, we try to create tracks that could appeal to the global community, but still carry the distinct character.
Projects like STØY also help us bridge this gap, as we bring local talents to the forefront while connecting with international artists, sparking a conversation that enriches both sides.
The name of your new track Bølge, meaning “wave,” evokes strong imagery. How does this idea of movement and flow connect to the track’s sonic elements and your vision for it?
Bølge was inspired by a writing camp we did in Tjøme. Watching the sunset reflect on the waves, we felt this calm but powerful energy that stuck with us. That vibe made its way into the track with a sustained bassline that pulses like waves, creating a steady rhythm. The melodic arp modulates and pulsates in a similar way, adding movement and texture, while swells of chords and ambient layers bring depth.
It’s a track that captures that feeling of constant motion and reflection, blending nature as inspiration with a club-ready energy.
What role does Oslo’s underground nightlife culture play in shaping your sound? Are there specific venues or experiences that have deeply influenced your approach to music?
Oslo’s underground nightlife has definitely been a part of shaping our sound. The scene here is small but focused, which allows for a lot of experimentation. Venues like Jaeger, Skaugum, and Smelteverket have been great, providing a space where the energy is raw, and the crowd is engaged. Its those experiences, where shifts in music can transform the room’s energy, have pushed us to prioritize a solid foundation in every production.
Working as a duo often requires a shared vision. How do you approach moments of creative conflict or differing ideas, and what have those moments taught you?
When we work together as a duo, creative conflicts are bound to happen, but they’re also where the most creative moments happens. The few times we disagree, we take it as a chance to push the track into new territory, experimenting until we land on something that we both like. These moments have made us to trust each other’s instincts and embrace our different perspectives. Often, the result is a track that neither of us could have made alone, and that’s what makes the collaboration so rewarding.
Basement Records seems integral to your journey as artists. How does the label’s ethos align with your music, and what makes it the right platform for your releases?
Basement Records has been a big part of our growth. The label’s focus on supporting emerging artists and pushing boundaries aligns well with our approach to music. They’ve created a platform that nurtures Oslo’s scene while connecting it to a broader audience through international bookings. Being part of Basement has given us the freedom to explore our sound while contributing to the vibrant underground culture here in Oslo.
Tracks like Bølge seem to reflect a balance between introspection and energy. How do you approach creating music that can live equally well on headphones as it does in a packed club?
Creating that balance is all about sound selection and attention to detail. For Bølge, we built a strong foundation to deliver energy in the clubs, before adding textures, modulations, and evolving pads to give it depth and introspection. The goal is to craft tracks that sound and feel good on headphones but still bring the groove and drive needed for the dancefloor. It’s about finding that sweet spot where both of these points click.
Bølge is out 13 December on Basement Records
