Few artists can claim a year as transformative and exhilarating as Sinca’s. Hailing from Montréal, she brings a unique blend of her French-Canadian and Peruvian roots into her music, crafting an experience that resonates globally. Establishing herself as a rising star, she has gained recognition from influential labels such as Bedrock, Anjunadeep, All Day I Dream, and Days Like Nights.
With a distinctive style nestled between house, progressive, and melodic techno, Sinca’s sets create unforgettable moments in diverse settings, from intimate venues to expansive festivals. Her performances at Coachella, Burning Man, SXM Festival, and Ibiza’s Akasha have solidified her reputation as a global force in dance music. Sharing stages with icons like John Digweed, Lee Burridge, Sasha, and Kölsch, Sinca’s rise reflects both her creativity and musical skill.
Reflecting on this blockbuster year, there’s so much ground to cover—from unforgettable festival moments to industry accolades and exciting future plans. Her journey through 2024 paints a vivid picture of growth, creativity, and passion for music.
You’ve had a blockbuster 2024. If you could pick one track to soundtrack this year’s journey, what would it be and why?
That’s such a tough call! When I think back on the hundreds of tracks I’ve played this year, what stands out is the variety. It reflects how I fully embraced my versatility as a DJ and producer. One track that feels emblematic of 2024 for me is ‘Love Accelerator’ by Maga and Emanuel Satie. Its mix of energy, groove, melodic elements, and unique structure resonated with me regardless of the style I was leaning into during a set. It’s a song I’ll always associate with this incredible year.
Coachella was a huge debut for you. Festivals of that scale can be intense — did anything unexpected happen during your set that left a lasting impression?
It was an incredible honour to play Do LaB at Coachella, a massive milestone for me. The festival’s attention to detail blew me away, especially behind the scenes. For example, the green room setup prioritized artist health, with hydration options and even… IV therapy! Although I didn’t try the IVs (needle phobia!), my partner did and loved it. That kind of care, paired with the dry desert heat, made it clear how much thought went into supporting the artists. Big love to Do LaB and Coachella’s teams.
Burning Man is known for its transformative energy. How did performing there shape your perspective as an artist, and what did the experience teach you?
My Burning Man debut was truly life-changing, no exaggeration! It was a week of pure creative freedom where I felt the most inspired and liberated I’ve ever been. Walking through Black Rock City, surrounded by people expressing their creativity without limits, was incredibly humbling. Performing there made me realize how important it is to embrace vulnerability and push artistic boundaries. I came back creatively recharged and with a newfound urge to share this experience with everyone in my life. It’s an adventure I believe everyone should live at least once.
Your releases on All Day I Dream and Bedrock Records this year were big milestones. What’s the story behind getting your music onto those iconic labels?
Releasing on All Day I Dream and Bedrock was a dream come true. For ADID, my team sent Lee Burridge a few demos, and soon after, friends started sending me videos of him playing Printemps at shows around the world, from New York to London. A few days later, Lee confirmed he wanted to sign it, which opened doors to amazing gigs in Tulum, LA, New York, and Ibiza.
For Bedrock, it started with a guest mix on John Digweed’s Transitions organized by my team. I heard he enjoyed the mix, and shortly after, he reached out on Instagram asking if I’d remix his and Nick Muir’s classic track ‘Santiago’. Of course, I said yes! That project marked the start of a wonderful relationship with Bedrock and a friendship with John.
During your set at the SXM Festival in March, the Caribbean vibe was in full effect. How did the setting influence the way you built your set or connected with the crowd?
SXM is such a unique festival. Intimate vibes with breathtaking locations like beaches, villa parties, and more. The positivity of the crowd is what mainly shaped my sets. I leaned into uplifting and fun tracks to match the energy of the festival, which creates this incredible closeness, where artists, organizers, and festival goers mingle and connect. It’s rare to feel like such an integral part of the party as a DJ.
At ADE 2024, you took part in a Slam livestream, an ADE production workshop, the Demolition Panel, and the Bedrock Showcase. How does balancing industry discussions and performances sharpen your craft?
ADE was a whirlwind of performances and meaningful conversations. Events like the workshop and panel allowed me to reflect on my craft and share insights, which felt like a different form of giving compared to DJing. Performing is about connecting directly with dancers and music lovers, while the industry discussions reminded me of the bigger picture, why I make music and how it impacts others. That balance helped me grow as both an artist and a mentor.
The 1001Tracklists Future of Dance Award is a major recognition in the dance music world. How does receiving this kind of acknowledgement influence your approach to creating and performing music?
It’s an incredible honour, especially in such a subjective and competitive industry. Recognition like this is a reminder that my work resonates with people, which can be a powerful motivator. It’s easy to be hard on yourself, especially with social media comparisons, but this award felt like a vote of confidence from the industry. It’s encouraged me to keep pushing forward and trusting my creative instincts.
You made your mark in Ibiza this year — what was your “pinch-me” moment on the island, and how did its legendary culture compare to what you had imagined?
Playing in Ibiza twice this summer, at Akasha and Playa Soleil with All Day I Dream, was unforgettable. I think the main ‘pinch-me’ moment was seeing my name on a massive roadside billboard alongside artists I’ve admired for years. Ibiza’s culture is everything I imagined and more. It’s a place where music is truly a way of life, and being part of that was surreal.
Dancing Astronaut named you an ‘Artist to Watch’ for 2024. What does this recognition mean to you, and do you find yourself more motivated by such accolades or by your own creative process?
This recognition came at such a pivotal time for me: my first full year as a full-time artist. It gave me the confidence to dive deeper into my craft and push creative boundaries. This kind of support from Dancing Astronaut and others fuels my belief in what I’m doing.
With such a monumental year behind you, what’s a personal or professional goal you’re setting for 2025 that might surprise your fans?
2024 was my most creative year yet, I spent so much time in the studio and produced more music than ever. So in 2025, I’m excited to release the most music I’ve ever shared, with some releases already confirmed. I’m also planning to start work on my first album, aiming for a 2026 release. It’s a huge step, and I can’t wait to explore this new chapter in my journey.
Thank you.
