In the shadowed corners of the underground scene, where the pulse of techno beats against the cold walls of warehouses and forgotten spaces, a new force has emerged. Mariana BO, already one of the most captivating talents in the global techno movement, steps into the spotlight with her debut ‘Memento Mori’ EP on Filth On Acid – a blistering, uncompromising statement of sonic prowess.
With her unparalleled blend of hard techno and classical violin roots, Mariana BO doesn’t just play music – she shapes it. Her sound defies the confines of the typical techno formula, constantly shifting between heart-racing peaks and crushing troughs. Her tracks are more than just beats – they are visceral experiences that rip through the air, igniting dancefloors and stirring deep emotions within her listeners.
In this interview, Mariana BO shares the inspiration behind ‘Memento Mori’, her creative journey, and how she’s crafted a sound that’s uniquely her own. From blending classical violin with hard techno to her dynamic live performances, she offers insight into her process and what’s next for this rising talent in the techno scene.
Congratulations on the release of your debut EP for Filth On Acid – ‘Memento Mori’! What inspired the creation of this EP, and how does it represent your evolution as an artist?
I’m inspired by the freedom to create the music I truly enjoy producing. In the past, I was focused on making what others asked of me, but now I’m creating the sound that truly represents me. This EP marks that shift, and I finally feel free and happy with the music I’m making.
Your music often blends classical violin elements with hard techno beats. How did this unique combination influence the sound design and emotional undertones of tracks like ‘Aura’ and ‘Cristo’?
The process was fast – I created six tracks in a very short space of time because I was working on what I truly love. The blend of classical violin and hard techno came naturally to me, and it’s what defines the sound of this EP. It really represents who I am as an artist.
The title track, ‘Memento Mori,’ is a relentless and intense piece. Can you share what the phrase “remember you must die” means to you personally and how it shaped the track’s energy and atmosphere?
It serves as a reminder that death is always present. As a Mexican, we celebrate death during the Day of the Dead, but at the same time, we remember that we are eternal, just like music. This duality influenced the energy and atmosphere of the track – intense yet reflective, capturing both the inevitability of death and the timeless nature of music.
Can you walk us through the gear and software setup you used? Were there any standout synths, drum machines, or plugins that were pivotal in achieving the EP’s complex and immersive sound design?
I produce everything in Ableton Live 12, and I used Kontakt for the voices, Nexus and Serum for the Acid leads.
You’ve had incredible performances at festivals like Tomorrowland, ULTRA Music Festival and EDC. How do you prepare for such massive events, and what do you aim to bring to the crowd during your sets?
I aim to bring something fresh to the crowd. For example, when I performed at Tomorrowland Brazil a month ago, I played all new IDs that no one had heard before. The crowd’s reaction was amazing, and that really makes me happy. It’s all about creating a unique experience for the audience.
As a leading figure in the global techno scene, what advice would you give to aspiring producers and DJs looking to make their mark in such a competitive industry?
My advice is to be original and true to yourself. It’s fine to draw inspiration from others, but it’s important to put your own unique stamp on your work. Stay authentic and let your individuality shine through.
Techno is constantly evolving. What trends or shifts in the genre excite you the most right now, and how do you see your music fitting into or challenging those trends?
For me, it’s exciting to experiment with evolving styles within techno, especially since the genre is changing so rapidly. I’m really drawn to hard groove, acid, and H-Sard techno. I believe techno is one of the most versatile genres, constantly allowing for innovation and new directions.
Can you give us a glimpse into what’s next for you? Are there any upcoming collaborations, releases, or tour plans that you’re particularly excited about?
I’m making a lot of new music to send out at the beginning of the year. I have a lot of tour dates lined up too, including EDC Mexico in February.
Mariana BO – Memento Mori EP is out now via Filth On Acid: https://lnk.to/MarianaBO